What caused the income inequality gap that started in the 70's?

Discussion in 'Free Speech Alley' started by LSUpride123, May 30, 2015.

  1. LaSalleAve

    LaSalleAve when in doubt, mumble

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    I gotta hand it to you on this one, you kind of channelled George Carlin on this. Nicely done.
     
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  2. Bengal B

    Bengal B Founding Member

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    Sounds more like he channeled Larry the Cable Guy.
     
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  3. LSUsupaFan

    LSUsupaFan Founding Member

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    Film, Live Performance and Sound Programs 2015 report
    http://www.opportunitylouisiana.com...ing/2015_OEID_Program_Impact_Report_Final.pdf

    Enterprise Zone 2009 (last year required)
    http://www.opportunitylouisiana.com...orting/2009_Annual_Report_Enterprise_Zone.pdf

    Tax exemption budget
    http://www.opportunitylouisiana.com...FundReportApril14toSeptember14-FinalDraft.pdf
     
  4. red55

    red55 curmudgeon Staff Member

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    Thank you. Only the film report was an independent assessment, the other two are annual or final reports done by the projects themselves. Even the independent report was funded by the program in question. Such reports are notorious for spinning a rosy picture. And the independent Loren Scott report has this vital disclaimer on page ii . . .

    An important caveat to inform the reader is that this report attempts to describe the impacts as resulting from the certified Louisiana spending. In reality, when measuring the economic impact of an activity on the state one should only include money actually spent within the state. Measuring the impacts using certified spending means including under the film production section, payments made to talent, directors, producers, and writers---who in most cases do not live in Louisiana and are therefore, unlikely to spend all that money in the state. Thus the state’s return on investment is typically worse for those projects (primarily films) that involve a large proportion of multi-million dollar payments made to non-residents.

    To more accurately measure the impact on the state's economy the payments made to these individuals should include only the portion of their salaries spent directly in the state and injected into the I/O table. The data indicate that about 27% of the certified film production spending goes to these individuals, which turns out to be 25.2% of the total certified entertainment spend across all programs.

    The Baton Rouge paper made a series of articles entitled "Giving away Louisiana" that takes an independent look at tax incentive and refund programs and reaches quite different conclusions.

    http://blogs.theadvocate.com/specialreports/2014/12/02/giving-away-louisiana-film-tax-incentives/

    http://blogs.theadvocate.com/specia...iving-away-louisiana-fracking-tax-incentives/

    http://blogs.theadvocate.com/specia...ing-away-louisiana-industrial-tax-incentives/

    http://blogs.theadvocate.com/specialreports/2014/12/05/giving-away-louisiana-inventory-tax-refund/

    http://blogs.theadvocate.com/specia...iving-away-louisiana-solar-energy-tax-credit/
     
  5. LSUsupaFan

    LSUsupaFan Founding Member

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    Gordon Russell is a damned good reporter, but he made some pretty catastrophic errors in every piece of that series. Every piece. And again, if his assessments using data supplied to him by the same agency whose reports you question came to virtually the same conclusions. Incentive programs lead to increased economic activity and jobs, but are very expensive. Thanks for making my case.
     
  6. red55

    red55 curmudgeon Staff Member

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    I have not made your case and you haven't made it either. I still don't think that the accounting of the tax incentives in this state are fair and honest and those advocate articles corroborate it. What constitutes a "catastrophic error" to you?
     
  7. LSUsupaFan

    LSUsupaFan Founding Member

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    You have contended the programs are expensive and don't produce economic activity and jobs. I have contended they are expensive, but do produce economic activity and jobs. I have supplied data that supports my claim. You have also supplied data that supports my claim, the Gordon Russell series.

    Where is the evidence that the programs do not support economic activity? Even the Russell stories concede that while contending the cost is too great? Where is the evidence that the state's tracking of the programs is deficient? You haven's shown any proof of that either. Hell most of the film article you linked is industry talking about the state not being rosy enough with the estimations.
     
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  8. red55

    red55 curmudgeon Staff Member

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    I contend that I don't trust the numbers offered by the programs that run them. You have offered nothing to make me change that opinion.

    It does nothing of the kind. It's an expose of waste in tax incentives and credits. First you say that all the Russell newspaper articles have "catastrophic errors", which you still haven't pointed out. And now you say that they support your claims that tax incentives are effective, which they most certainly do not.

    Which is exactly my point! I never said that they do not support any economic activity, I say that they bring in less than what was promised and they cost us more than they benefit us.

    The Louisiana Office of Economic Development said film incentives ended up costing taxpayers nearly $170 million in 2012 — even after the economic benefits were counted. Why are you defending this?
     
  9. LSUsupaFan

    LSUsupaFan Founding Member

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    Yeah, and you have not offered any evidence to support a reason to not trust the numbers. Your paranoia is evidence of othing

    The whole premise of his argument against film is that most jobs go to non-residents. That is wrong. The vast majority of crew jobs go to locals. Those are good paying skilled jobs. Those are jobs that pay better than the state median income, many of them double it, and there are 10,000 or more of them because of the film incentive.

    They were never intended to be revenue streams. They are designed to build industries, and have been wildly successful in doing that. Now the legislature has rolled them back, and hopefully that begins a process of continued cuts which allows these industries that so much of our money has been invested in to survive. Pulling the rug out completely, in my mind is worse.



    I am not defending the incentives, I think they are absolutely horrible. But I do not want the couple of billion dollars pumped into these industries to be completely in vein. The same model worked in Canada where these industries were heavily subsidized, and when the subsidies were scaled back and eventually ended the work remained. I am hopeful that we have similar success, and that these things were not a complete waste. What is certain is that if the cuts are not strategic, it will be a waste.
     
  10. red55

    red55 curmudgeon Staff Member

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    I need not offer evidence to have a suspicion, fool. Your attempt to convince me to believe the reports put out by the programs themselves is failing badly. I can't believe you believe this self-serving annual reports that the scoundrels write, patting themselves on the back. Still waiting for you to point out those "catastrophic errors" in the newspaper reports on the incentive programs that paint a very poor picture of their success.

    Mostly part-time jobs with no benefits. When there are no films here, there is no work. One of these guys lives on my block. Good money as a union grip three times a year when there is a film job hiring, and no work at all for the other 6 months. So every time a film hires him, they proudly report it as a new Louisiana job. So the annual report totals it up as three new Louisiana jobs, but it is the same guy getting three short contracts a year and making ends meet only because his girlfriend has a good, permanent job. I do not believe these new movie jobs they report are honest.

    And that is not the whole argument against the film incentives. There are tons of jobs that go to Hollywood instead--most of the stars, the executives, most of the technical and CGI work. We get a lot of catering and laborer jobs and a scattering of technical and acting jobs. The biggest problem is that we pay 30% of films total costs nd some of these films are expensive. They are bringing the most expensive films to Louisiana to get the handout. Much of that money is spent on special effects farmed out all over the place via internet.

    They were designed to cut existing revenue streams, that is the friggin' problem!

    I have a very different idea of what "wild success" is since they cost us a fortune loss of the tax income threaten to bankrupt state government. This is why the legislature is now pulling the plug on subsidizing industry development when there is plenty of private capital out there to do that. The job of the state is to make an attractive environment for industry to bring their people and factories but making effective highways, universities, hospitals and government services. Simply bribing industry to relocate here is corporate welfare, pure and simple.

    Then what exactly are you trying to argue? I give up.
     

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